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Uncompromising exposure of the counterfeit origins of Christianity and of the evil it has brought to the world.
Egyptian Roots of Catholicism –The Show Must Go On
Horus becomes Roman, Christian, changes name to Jesus...
Trinity and Saviour God
'The works of art, the ideas, the expressions, and the heresies of the first four centuries of the Christian era cannot be well studied without a right comprehension of the nature and influence of the Horus myth.' – W. R. Cooper, (The Horus Myth in its Relation to Christianity, p49)
Hymn to the Aten, carved relief, Tomb of Ay, Armana
Hymn to the Aten' Lord of All, Lord of heaven, Lord of EarthThy rays embrace the landsThou layest the foundations of the earthHow manifold are thy works!The ships go down and up the stream...
' Psalm 104'O Lord thou art very GreatWho coverest thyself with light as a garmentWho laid the foundations of the earthO Lord how manifold are thy works!How ships sail to and fro...'
At first glance, the Egyptian pantheon presents a bewildering array of gods but properly understood many deities were city or regional 'variations on a theme,' gods whose fortunes rose or fell with the outcome of human power struggles and dynastic change. Triumphant priests merged useful aspects of a fallen rival's deity with their own favoured god. This process of absorption, assimilation and adaptation continued throughout the Greek, Roman – and Christian eras.
In their first two centuries, the followers of Christ had no particular images of their god. Emerging as they did from Judaism they disdained 'idol worship.' They were even accused of being atheists. But once the break with Judaism was complete the Christ worshippers rapidly made up the deficiency by adapting for Christian use pagan images, rituals, sacred sites, and symbols.
This process occurred most energetically in Egypt, a land awash with religious iconography. From the 3rd century AD onwards, Egyptian Christian – 'Coptic' – art displayed a syncretistic and fused tradition – Roman, Greek and Pharaonic – with a Christian veneer. Such art faithfully reflected a deeper truth: the regurgitation of ancient religious belief in the new guise of 'Christianity.'
Though the basic Christ legend was formulated by apostate Jews (with their expectations of a conquering messiah) and pagan converts (with their fables of dying/reborn sun gods), Egypt provided Christianity with ideas NOT found in the Old Testament: immortality of the soul; judgment of the dead; reward and punishment; a triune god. Egyptian religion infused the nascent faith with its ancient credo.
http://www.jesusneverexisted.com/out-of-egypt.html
Horus becomes Roman, Christian, changes name to Jesus...
Trinity and Saviour God
'The works of art, the ideas, the expressions, and the heresies of the first four centuries of the Christian era cannot be well studied without a right comprehension of the nature and influence of the Horus myth.' – W. R. Cooper, (The Horus Myth in its Relation to Christianity, p49)
Hymn to the Aten, carved relief, Tomb of Ay, Armana
Hymn to the Aten' Lord of All, Lord of heaven, Lord of EarthThy rays embrace the landsThou layest the foundations of the earthHow manifold are thy works!The ships go down and up the stream...
' Psalm 104'O Lord thou art very GreatWho coverest thyself with light as a garmentWho laid the foundations of the earthO Lord how manifold are thy works!How ships sail to and fro...'
At first glance, the Egyptian pantheon presents a bewildering array of gods but properly understood many deities were city or regional 'variations on a theme,' gods whose fortunes rose or fell with the outcome of human power struggles and dynastic change. Triumphant priests merged useful aspects of a fallen rival's deity with their own favoured god. This process of absorption, assimilation and adaptation continued throughout the Greek, Roman – and Christian eras.
In their first two centuries, the followers of Christ had no particular images of their god. Emerging as they did from Judaism they disdained 'idol worship.' They were even accused of being atheists. But once the break with Judaism was complete the Christ worshippers rapidly made up the deficiency by adapting for Christian use pagan images, rituals, sacred sites, and symbols.
This process occurred most energetically in Egypt, a land awash with religious iconography. From the 3rd century AD onwards, Egyptian Christian – 'Coptic' – art displayed a syncretistic and fused tradition – Roman, Greek and Pharaonic – with a Christian veneer. Such art faithfully reflected a deeper truth: the regurgitation of ancient religious belief in the new guise of 'Christianity.'
Though the basic Christ legend was formulated by apostate Jews (with their expectations of a conquering messiah) and pagan converts (with their fables of dying/reborn sun gods), Egypt provided Christianity with ideas NOT found in the Old Testament: immortality of the soul; judgment of the dead; reward and punishment; a triune god. Egyptian religion infused the nascent faith with its ancient credo.
http://www.jesusneverexist
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