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http://Cosmology.com Meteors, Asteroids, Comets & the Origins of Life: Alien Invasions from the Stars. A documentary film by Rhawn Joseph, Ph.D. http://BrainMind.com This video is an except and the Second chapter (Part 2), from the 55 minute film: God & The Origin of Life. ...
Our ancient ancestors, are visitors from the stars.
As detailed in these 6 chapters. 1)
The Organic Soup is a myth based on a theology of miracles.
2) Life on Earth first originated on other planets.
3) A star and its solars system, several times the size of our own, exploded in a vast supernova over 5 billion years ago.
4) Mountains of debris including oceans of ice were cast into space, and some of this ejected formed our own solar system and the Earth.
5) This debris contained living creatures and their DNA.
6) Fossils have been found on 5 chronditer meteors formed before the creation of this solar system and which contain physical evidence of this supernova.
7) Fossils have been found on 3 meteors from Mars, and soil samples from the moon
8) A single dormant microbe was discovered in a camera on the moon.
9) Life on Earth can exist in any environment, from the radioactive, well below freezing, in the liquid fire of thermal vents, and at the bottom of the ocean under 9,000 pounds of pressure per square inch.
10) When threatened with death, microbes and simple animals and plants can form microscopic spores, and microbes can come back to life even after 250 million years of dormant slumber.
11) If the Earth were shattered, innumerable creatures could easily survive sheltered in debris, only to come back to life if they land on a life-sustaining world.
Conclusion: Life on Earth came from other planets. Our ancient ancestors, are visitors from the stars.
Allegory (from Greek: ἄλλος, allos, 'other', and ἀγορεύειν, agoreuein, 'to speak') is a figurative mode of representation conveying a meaning other than the literal. Allegory teaches a lesson through symbolism. Allegory communicates its message by means of symbolic figures, actions or symbolic representation.
Allegory is generally treated as a figure of rhetoric, but an allegory does not have to be expressed in language: it may be addressed to the eye, and is often found in realistic painting, sculpture or some other form of mimetic, or representative art.
Simply put, an allegory is a device that can be presented in literary form, such as a poem or novel, or in visual form, such as in painting or sculpture. As a literary device, an allegory in its most general sense is an extended metaphor.
As an artistic device, an allegory is a visual symbolic representation. An example of a simple visual allegory is the image of the grim reaper. Viewers understand that the image of the grim reaper is a symbolic representation of death. Nevertheless, images and fictions with several possible interpretations are not allegories in the true sense. Furthermore, not every fiction with general application is an allegory.
http://en.wikipedia.org/wiki/Allegory
Metaphor
A metaphor is an analogy between two objects or ideas, conveyed by the use of a word instead of another. The English metaphor derives from the 16th-century Old French métaphore, from the Latin metaphora “carrying over”, Greek (μεταφορά) metaphorá “transfer”, [1] from (μεταφέρω) metaphero “to carry over”, “to transfer” [2] and from (μετά) 'meta “between” [3] + (φέρω) phero, “to bear”, to carry”.[4] Moreover, metaphor also denotes rhetorical figures of speech that achieve their effects via association, comparison, and resemblance, e.g. antithesis, hyperbole, metonymy, and simile; all are species of metaphor. [5]
http://en.wikipedia.org/wiki/Metaphor
The Ancient Egyptian/Christian Holy Families
The very thing that is now called the Christian religion was already in existence in Ancient Egypt, long before the adoption of the New Testament. The British Egyptologist, Sir E. A. Wallis Budge, wrote in his book, The Gods of the Egyptians [1969],
The new religion (Christianity) which was preached there by St. Mark and his immediate followers, in all essentials so closely resembled that which was the outcome of the worship of Osiris, Isis, and Horus.The similarities, noted by Budge and everyone who has compared the Egyptian Ausar/Auset/Heru (Osiris/Isis/Horus) allegory to the Gospel story, are striking. Both accounts are practically the same, e.g. the supernatural conception, the divine birth, the struggles against the enemy in the wilderness, and the resurrection from the dead to eternal life.
http://www.egypt-tehuti.org/articles/holy-families.html
The main difference between the “two versions”, is that the Gospel tale is considered historical and the Ausar/Auset/Heru (Osiris/Isis/Horus) cycle is an allegory.
Allegories are intentionally chosen as a means for communicating knowledge. Allegories dramatize cosmic laws, principles, processes, relationships and functions, and express them in a way easy to understand. Once the inner meanings of the allegories have been revealed, they become marvels of simultaneous scientific and philosophical completeness and conciseness.
The more they are studied, the richer they become. The ‘inner dimension’ of the teachings embedded into each story make them capable of revealing several layers of knowledge, according to the stage of development of the listener. The “secrets” are revealed as one evolves higher.
The higher we get, the more we see. It is always there.
The Egyptians (Ancient and present-day Baladi) did/do not believe their allegories as historical facts. They believed IN them, in the sense that they believed in the truth beneath the stories.
The Christian religion threw away and lost the very soul of their meaning when it mistranslated the Ancient Egyptian allegorical language into alleged history, instead of viewing it as spiritual allegory.
The result was a pathetic, blind faith in a kind of emotional and superstitious supernaturalism, and effectively aborted the real power of the story/allegory to transform the life of every individual.
http://www.youtube.com/watch?v=eW9nMJR4wWk&playnext_from=TL&videos=bGG9fFe60js&feature=rec-rev-rn-1r-33-HM
As detailed in these 6 chapters. 1)
The Organic Soup is a myth based on a theology of miracles.
2) Life on Earth first originated on other planets.
3) A star and its solars system, several times the size of our own, exploded in a vast supernova over 5 billion years ago.
4) Mountains of debris including oceans of ice were cast into space, and some of this ejected formed our own solar system and the Earth.
5) This debris contained living creatures and their DNA.
6) Fossils have been found on 5 chronditer meteors formed before the creation of this solar system and which contain physical evidence of this supernova.
7) Fossils have been found on 3 meteors from Mars, and soil samples from the moon
8) A single dormant microbe was discovered in a camera on the moon.
9) Life on Earth can exist in any environment, from the radioactive, well below freezing, in the liquid fire of thermal vents, and at the bottom of the ocean under 9,000 pounds of pressure per square inch.
10) When threatened with death, microbes and simple animals and plants can form microscopic spores, and microbes can come back to life even after 250 million years of dormant slumber.
11) If the Earth were shattered, innumerable creatures could easily survive sheltered in debris, only to come back to life if they land on a life-sustaining world.
Conclusion: Life on Earth came from other planets. Our ancient ancestors, are visitors from the stars.
Allegory (from Greek: ἄλλος, allos, 'other', and ἀγορεύειν, agoreuein, 'to speak') is a figurative mode of representation conveying a meaning other than the literal. Allegory teaches a lesson through symbolism. Allegory communicates its message by means of symbolic figures, actions or symbolic representation.
Allegory is generally treated as a figure of rhetoric, but an allegory does not have to be expressed in language: it may be addressed to the eye, and is often found in realistic painting, sculpture or some other form of mimetic, or representative art.
Simply put, an allegory is a device that can be presented in literary form, such as a poem or novel, or in visual form, such as in painting or sculpture. As a literary device, an allegory in its most general sense is an extended metaphor.
As an artistic device, an allegory is a visual symbolic representation. An example of a simple visual allegory is the image of the grim reaper. Viewers understand that the image of the grim reaper is a symbolic representation of death. Nevertheless, images and fictions with several possible interpretations are not allegories in the true sense. Furthermore, not every fiction with general application is an allegory.
http://en.wikipedia.org/wi
Metaphor
A metaphor is an analogy between two objects or ideas, conveyed by the use of a word instead of another. The English metaphor derives from the 16th-century Old French métaphore, from the Latin metaphora “carrying over”, Greek (μεταφορά) metaphorá “transfer”, [1] from (μεταφέρω) metaphero “to carry over”, “to transfer” [2] and from (μετά) 'meta “between” [3] + (φέρω) phero, “to bear”, to carry”.[4] Moreover, metaphor also denotes rhetorical figures of speech that achieve their effects via association, comparison, and resemblance, e.g. antithesis, hyperbole, metonymy, and simile; all are species of metaphor. [5]
http://en.wikipedia.org/wi
The Ancient Egyptian/Christian Holy Families
The very thing that is now called the Christian religion was already in existence in Ancient Egypt, long before the adoption of the New Testament. The British Egyptologist, Sir E. A. Wallis Budge, wrote in his book, The Gods of the Egyptians [1969],
The new religion (Christianity) which was preached there by St. Mark and his immediate followers, in all essentials so closely resembled that which was the outcome of the worship of Osiris, Isis, and Horus.The similarities, noted by Budge and everyone who has compared the Egyptian Ausar/Auset/Heru (Osiris/Isis/Horus) allegory to the Gospel story, are striking. Both accounts are practically the same, e.g. the supernatural conception, the divine birth, the struggles against the enemy in the wilderness, and the resurrection from the dead to eternal life.
http://www.egypt-tehuti.or
The main difference between the “two versions”, is that the Gospel tale is considered historical and the Ausar/Auset/Heru (Osiris/Isis/Horus) cycle is an allegory.
Allegories are intentionally chosen as a means for communicating knowledge. Allegories dramatize cosmic laws, principles, processes, relationships and functions, and express them in a way easy to understand. Once the inner meanings of the allegories have been revealed, they become marvels of simultaneous scientific and philosophical completeness and conciseness.
The more they are studied, the richer they become. The ‘inner dimension’ of the teachings embedded into each story make them capable of revealing several layers of knowledge, according to the stage of development of the listener. The “secrets” are revealed as one evolves higher.
The higher we get, the more we see. It is always there.
The Egyptians (Ancient and present-day Baladi) did/do not believe their allegories as historical facts. They believed IN them, in the sense that they believed in the truth beneath the stories.
The Christian religion threw away and lost the very soul of their meaning when it mistranslated the Ancient Egyptian allegorical language into alleged history, instead of viewing it as spiritual allegory.
The result was a pathetic, blind faith in a kind of emotional and superstitious supernaturalism, and effectively aborted the real power of the story/allegory to transform the life of every individual.
http://www.youtube.com/wat
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